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Thursday, 19 May 2016

'Am I Normal Yet?' (Normal #1) by Holly Bourne

*This review will contain spoilers!*
'Mental health disorders have gone "mainstream". And for all the good it's brought people like me who have been given therapy and stuff, there's a lot of bad it's brought too. 
Because now people use the phrase OCD to describe minor personality quirks. "Oooh, I like my pens in a line, I'm so OCD."
NO YOU'RE FUCKING NOT.
"Oh my God, I was so nervous about that presentation, I literally had a panic attack."
NO YOU FUCKING DIDN'T.
"I'm so hormonal today. I just feel totally bipolar."
 SHUT UP, YOU IGNORANT BUMFACE.' 
16-year-old Evie has just started college. She's excited to reinvent herself, hoping she'll finally be able to lead a life deemed 'normal'. For the past three years Evie's been suffering from debilitating OCD and Generalised Anxiety Disorder, but she's finally starting to reduce her medication and she's certain she's back on track to live a regular life.
Within the first few days at college she meets Ethan: smart, funny, adorable, and - most importantly - interested in her. She's sure this is going to be the start of something, because all normal teenagers have boyfriends! It proves that she's definitely not mad anymore. Her best friend, Jane, has abandoned her for rock star boyfriend Joel, and Evie deserves someone after everything she's been through. She invites him to Anna's party, filled with hope... If a little nervous.
However, Ethan turns up completely wasted, embarrasses her in front of all of her friends and - most charmingly - sleeps with the host. It's at this party that Evie reacquaints herself with Lottie, her best friend from primary school, and meets Amber; their blossoming friendship means that the night wasn't a complete waste of time, and it takes her mind off of Jane's abandonment. Normal teenagers have a group of great friends.
After Ethan, you'd think Evie might be a little hesitant about getting feelings for someone else; that's before she meets sweet but shy Oli in her film studies class. She really likes him, but his nerves mean it's months before he asks her out... Then he turns up to the cinema with his parents. Evie's understandably freaked, but it soon dawns on her that Oli must suffer from anxiety too, so there's no way that their relationship could work out: 'it would be like two alcoholics dating each other'. Anna's hosting another party and Evie had planned to invite Oli along; instead she leaves him with his parents, goes to the party and takes many more sambuca shots than she probably should.
It's when she's practically passed out in Anna's back garden that Guy appears. He lifts her up, finds a place for her to be comfortable and makes her eat toast and drink water to help sober her up. Despite the fact that he's a stoner and the lead singer of Joel's band, Evie can feel a spark between them, and Guy was just so considerate that she's sure he must like her too...
But when they're back at college the next week, Guy is acting like nothing happened. She'll message him and then he won't reply. He'll be very hot one minute - staring intensely at her, confirming she'll be at his band's gig - and the next minute it'll be like Evie doesn't exist. When she's walking home one day, she taps each lamppost, certain that if she does Guy will message her back. He doesn't, but Evie's certain that just means she did it wrong... Maybe each post needed two taps, four, six? But touching the lampposts is dirty, so she'll definitely need to wash her hands when she gets home. If she didn't wash them right first time, does it really make a difference if she washes them twice? Maybe once more, just to be safe - she doesn't want to get sick, because dirty hands could make you very ill, maybe so ill that you might die...
Evie knows that her OCD is coming back with a vengeance, because she gets stuck in her rituals and can't break them even when she knows she should. But she can't tell anyone about it: her therapist Sarah and her parents have been so proud of her reducing her medication, and if she has a relapse it proves she'll be ill forever. She'll lose Lottie and Amber: who would want to be friends with a crazy person? And Guy definitely wouldn't be interested in her, no matter how sweet and considerate he is. Evie needs to be normal - or fake normal convincingly - or she knows she'll lose everything...

I loved this book.
I've read so many YA books focusing on mental health that haven't tackled the subject of relapse, and I think it's about time we had someone talking about what happens when the bad things happen again. Instead of following Evie's first struggle with her OCD, we're joining a character who knows all about her illness and is aware of what is happening to her - there's no confusion, she's certain about it even if she isn't able to tell anyone and get the help she needs.
It might be scary for young sufferers to read, but it's authentic. Relapse is something that happens quite regularly, and the fact that it's so poorly portrayed could make people who do eventually relapse feel as though they're weak for not being able to overcome the issue first time around: I can imagine it being extremely comforting to read about a character who also struggles with a re-occurrence.
When Evie develops feelings for Guy, she ponders this to herself:
'I'd kissed him and not freaked out about germs. Was that love? When I was with him I forgot about rituals. Maybe love was the answer? Maybe if I slept with Guy and fell in love it would mend me, as love always mends everyone?'
I was so pleased that Holly Bourne tackled this stereotype and flipped it on its head - Guy isn't the one that saves Evie, he's actually the one that pushes her completely over the edge. Too often a guy comes in, sweeps the broken girl off her feet and puts her back together in the blink of an eye: that doesn't happen much in real life. It just gives people suffering with mental illnesses another unreachable goal to aim for - if they can just find true love, they'll be all better! I hate that trope with a passion. I think Evie's sister Rose summed it up perfectly: "you've got to love you before worrying about anyone else loving you".
Then there's the Spinster Club. Evie, Amber and Lottie decide to reclaim the word 'spinster' and make it cool rather than derogatory. When they have their club meetings they hang out and discuss all the things wrong with the patriarchal world: the fact that women have to pay tax on tampons and sanitary towels, the fear surrounding periods, the statistics of mental health that are damaging towards both women and men.
"I don't want to be tied down. I hate that. That they think girls are just obsessed with having relationships. What do they want us to do? Shag them but not expect anything in return?"
"Er, yeah, basically," Lottie answered.
"No, that's not right either," I said. "They call those girls sluts." They nodded in agreement.
"So we're damned if we do, damned if we don't, basically?"  
Overt feminism in a YA book? Yes please. If I hadn't already been a feminist, this would have been the book that pushed me into it. You don't need to have prior knowledge, because things like the Bechdel test, the Madonna-whore complex and blatant vs. benevolent sexism are explained so simply. This book will be a great gateway into feminism for a lot of young people. Too often feminism is slammed in the media for being the realm of the elderly, the unattractive, the undesired - the fact that Evie, Lottie and Amber are young, intelligent and attractive will give young people feminist role models to aspire towards (if they aren't already in love with Emma Watson!).
The Spinster Club also reminded me a lot of the book 'Spinster' by Kate Bolick - I highly recommend it, if you're interested in non-fiction feminist memoirs.
A lot of the book is focused on romantic relationships but, because there's so much going on with the strong female friendships and the spiralling OCD, it's part of a much greater whole. It makes sense to have so much focus on it, though, because relationships are such a core part of feeling like a normal teenager (even if they really aren't good for you!).
There are another two books in the series ('How Hard Can Love Be?' which was released in February, and 'What's a Girl Gotta Do?' coming out later in the year) and those books focus upon Amber and Lottie respectively - I'm looking forward to reading them and interacting with these characters more. There's a lot of unanswered questions in this first book, and I'm looking forward to getting the answers.
If you want to read an empowering feminist book focusing on the struggle of mental health as a young person and the importance of family and friends, I couldn't recommend this any more highly.  

Wednesday, 18 May 2016

TOP FIVE WEDNESDAY: Top five summer reads

(Top Five Wednesday was created by GingerReadsLainey. Find out more at the Goodreads group!)

Summer is well on its way, and I'm so happy! I hate the cold and I love being able to wear shorts and t-shirts without taking a jumper along.
If you haven't already worked out what you're going to read this summer, I highly recommend you pick up at least one of these five - they're perfect for long hot nights.

5) 'Warm Bodies' by Isaac Marion
Probably the least summery of my summer reads, but for some reason I treat 'Warm Bodies' like chick-lit: I re-read it every summer, sat on a blanket in my garden with my sunglasses on. Zombies have never been scarier, honest!

4) 'Wild Swans' by Jessica Spotswood
This book is so brilliant that there's never a bad time to read it. Summer will work just as well as any other season!

3) 'Burn For Burn' by Jenny Han and Siobhan Vivian

The first book in this series is all about revenge and female empowerment. What could be better for summer?

2) 'Stolen' by Lucy Christopher
Only pick this one up if you want a dark read: it's about a kidnapping and the main character suffers awfully from Stockholm Syndrome. However, it's also set in Australia - what could feel more summery than reading about beautiful clear nights under a blanket of stars? 

1) 'My Life Next Door' by Huntley Fitzpatrick
When life goes wrong, Sam makes the famous Reed family lemonade. What could be more summery? Combine that with the gorgeous cover... Ahh. 

I hope you enjoyed this Top Five Wednesday! What books will you be reading this summer?

Tuesday, 17 May 2016

'The Sin Eater's Daughter' (The Sin Eater's Daughter #1) by Melinda Salisbury - SPOILER FREE REVIEW

'I had taken the Morningsbane once every moon to prove to the kingdom I was Daunen Embodied, truly the Gods' choice. It was the mixing of my blood, the drinking of the poison and surviving it that showed I was divine, something more than a girl.' 
Twylla is a murderer.
Every person who comes into contact with her skin dies because she's poisonous. In the last two years she's killed thirteen people - including Tyrek, who was her only friend - all traitors to the throne, deaths all willed by the Gods. The only people who can touch her are the queen, the king, and Prince Merek, her betrothed. They're the only people the Gods will allow to be immune to her touch.
Because Twylla is Daunen Embodied: the returned form of the daughter of Naeht, the Empress of Darkness, and Daeg, the Lord of the Sun.
'Daunen exists as the balance between both God and Goddess; she must be death on behalf of her mother, as she is life on behalf of her father.'
Before she was discovered to be Daunen Embodied, Twylla was the Sin Eater's daughter, and because she was due to inherit the role she's never been able to choose her own destiny; her life has always been predetermined. Whenever someone dies - apart from a traitor to the throne - a spread of their sins is placed on top of their coffin, and the Sin Eater must come along to clean their spirit to allow it passage to the other side. This involves Eating soured cream if the deceased had an abortion, or crow if they were a murderer.
Twylla is a murderer, and because she left her family to live with the royal family as Daunen Embodied, the role of Sin Eater will pass to her little sister Maryl. Twylla feels constant guilt - both for leaving her sister and for the fact that she will have to Eat crow on her behalf - but there's nothing she can do; as Daunen Embodied she needed to embrace her godly parentage and couldn't stay in touch with any of her earthly relations, even though the queen does send money home to provide for them.
Twylla's been alone for most of her life, with the exception of her loyal guard Dorin. While other guards have come and gone - some only staying in the position for a matter of weeks, unable to deal with being surrounded by death and danger - Dorin has stayed by her side since her arrival at the palace. When the newest recruit, Lief, starts in his position, Twylla is wary. He's from Tregellan, the sworn enemies of Lormere, and no Tregellian citizen has ever been employed in the palace before. However, Dorin quickly falls ill after a bee sting becomes infected, and when it becomes obvious that there's no one willing to replace him, Lief becomes her sole guard and confidante.
It doesn't take long before Twylla is falling for Lief. He's the only person but Tyrek who's ever treated her like a girl rather than a deity. She knows she's betrothed to Marek and she feels awful for betraying him, but she's never had any choices in her life and she wants to be able to follow her heart. But with Marek determined to move up the wedding day after his father falls ill, Twylla is torn between her duty to her country and her wishes for herself...

All I really want to do is spoiler spoiler spoiler, but I'm restraining myself because I really want you to experience it for yourself. For the first half of the novel I kept thinking to myself 'eh, this is a solid three star read, but I don't understand why everyone hypes it so much'. But then THINGS KEPT HAPPENING. Before you know it I'm head over heels in love with Melinda Salisbury's writing style, I'm being shocked and surprised with every page I turn and all of my expectations were flipped on their heads.
If you think you know what's going to happen, you don't. That's the most I'm going to tell you. It seems like it's going to be stereotypical YA, but it's so much more than that: if you're a fan of the fantasy genre, you will love this even if you normally avoid younger reads.
I also hate to be that person, but if you're a fan of 'Game of Thrones' you will love this too. There's murder, incest, politics, tension, poisoning, deceit... Everything you could ever want and more.
The epilogue leaves the book on a massive cliffhanger, though, so if you don't have the sequel close at hand don't even think about reading it. Get both books ready, then dive into this one. I'm going to be reading the second book very soon. 

TOP TEN TUESDAY: Ten books I read on a whim and LOVED

(Top Ten Tuesday was created by The Broke and The Bookish!)

I am a very calculating reader. I will see a book announcement, and I will follow it through cover reveals, chapter samplers, blog tours... All the way up to release date. I either do that, or I get recommendations from friends or other bloggers about what to read. There aren't many books that I spontaneously grab and end up really enjoying.
However, these ten books are ones that I picked up with no prior knowledge - either due to the covers or the interesting blurbs - and I don't regret a single one of them.

10) 'The Last Leaves Falling' by Fox Benwell

9) 'Eve' by Anne Carey
I can't really remember the Eve trilogy, so I am planning on rereading it fairly soon, but I remember really liking this one when I was in my dystopian craze. Looking back it probably won't be that good - I was a lot younger when I first read it! 

8) 'The War of the Worlds' by H. G. Wells
When I entered sixth form, I made a pledge to myself that I would read more classics to accompany my English Literature and Language course. One of the first ones I picked up was 'The War of the Worlds' - purely because it was on shelf in the library and I didn't know what else to choose - and I was certain that I was going to hate it. Who'd have thought that it would be one of the first books in years that I finished within a couple of days. This book is definitely partly to blame for dragging me out of my reading slump. 

7) 'Entangled' by Cat Clarke
The contrast between the white and the bright red of the hair caught my eye when I decided to read this novel, and I fell head over heels in love with Cat Clarke's writing - 'Entangled' is still one of my favourite books of all time, even though I'm too nervous to re-read it in case it's not as good second time around!

6) 'Black Orchid' by Neil Gaiman
I was only just getting into graphic novels when I picked up this title, which was a bit of a risk, but the unusual art style, beautiful colouring and captivating story cemented my growing love for a different genre. It helps that Neil Gaiman wrote it, but I didn't pick it up for him - I picked it up because the cover was so gorgeous. 

5) 'Hunger Makes Me a Modern Girl' by Carrie Brownstein
I don't listen to Sleater-Kinney, so reading the autobiography of one of their vocalists was a bit of a random choice. The title grabbed my attention first of all, and being a huge fan of music (particularly heavier music) it was a very interesting look into touring and the life, demise and revival of an iconic feminist band. 

4) 'Sweet Damage' by Rebecca James
It's been quite a while since I read 'Sweet Damage', but thinking about it still sends shivers down my spine. I picked this one up from the very small local library - there weren't many books that I'd heard of and was interested in at the time, so this one made its way into my pile.

3) 'True Born' by L. E. Sterling

I am so excited about the second book in the 'True Born' series being released, despite the fact that this first installment has been out for less than two weeks. It's brilliant, breathing life back into the dystopian genre. I only requested it because the antlers were so stark and beautiful, and utterly intriguing - I knew they'd relate to the story somehow, but without that image it would have seemed like another stereotypical dystopian. 

2) 'Born Wicked' by Jessica Spotswood
I adored the first two books in the Cahill Witch Chronicles, but I picked them up purely based off of their beautiful cover design. I haven't read the last book in the trilogy yet, because I'm so nervous about what's going to happen, but I really want to!

1) 'Golden Boy' by Abigail Tarttelin
As soon as I saw this week's topic, there was no doubt in my mind that 'Golden Boy' would be taking the top spot. It was undoubtedly a five star book, and one of the only portrayals of intersex that I've encountered. It's heartbreaking and will definitely make you want to cry, but it's so human. I only found this one because we had a duplicate copy on shelf in the library where I work, and I pulled it off and was instantly intrigued.

I hope you enjoyed this Top Ten Tuesday! Do you have a favourite book that you discovered completely by chance?

Monday, 16 May 2016

'The Rest of Us Just Live Here' by Patrick Ness

*This review will contain spoilers!*
'The indie kids, huh? You've got them at your school, too. That group with the cool-geek haircuts and the charity shop clothes and names from the fifties. Nice enough, never mean, but always the ones who end up being the Chosen One when the vampires come calling or when the alien queen needs the Source of All Light or something. They're too cool to ever, ever do anything like go to prom or listen to music other than jazz while reading poetry. They've always got some story going on that they're the heroes of. The rest of us just have to live here, hovering around the edges, left out of it all, for the most part.
Having said that, the indie kids do die a lot. Which must suck.' 
I haven't read a Patrick Ness book before. I've been very intimidated by his writing, because he's so popular - the Chaos Walking series, 'A Monster Calls', 'More Than This'... All of his books have such positive reviews and such a loyal fanbase that I wasn't sure where to start. However, because I'm still attempting to read all of the YA book prize nominees before the winner is announced, I had no choice but to dive in to this one.
'The Rest of Us Just Live Here' is a book that tells two stories: the story of indie kid Satchel and her fight against The Immortals, and the story of Mikey, a teenager who suffers from anxiety that is becoming steadily worse as he approaches graduation and the huge changes that come with it. Instead of jumping backwards and forwards between their stories throughout the chapters, Satchel's story is told in the chapter headings with the majority of the book comprised of Mikey's narration.
It's absolutely genius, and utterly and completely relevant.

If you haven't seen 'Captain America: Civil War', look away now.

If the popularity of 'Civil War' tells us anything, it's that the public want to hear the background stories. There's a character called Zemo who causes all kinds of trouble for the Avengers, the reason being that his family were killed in the big events at the end of 'Avengers: Age of Ultron', and because they were just collateral damage - the little people - the Avengers never went back to help clean up the city that they'd destroyed or the lives that they'd ruined.

Why is that relevant to 'The Rest of Us Just Live Here'?

Because in every YA EVER, crazy shit goes down and it only seems to be experienced by the main characters that we follow around. In 'Twilight', I bet a lot of the characters sat in the background in the cafeteria were confused and questioning about the mysterious Cullens, but because it's Bella's story we don't get to see them whispering, or hear the rumours circulating.
The indie kids are the ones living the story - they're the ones struggling against the Immortals, the ones trying to save the town - but because Mikey and his friends can see all of this terrifying and paranormal stuff going on, they want to be able to do something to help.
They can't, though. It's not their story. They're the background characters.
So the main characters are the background characters.

Can you see how freaking genius this book is?!?!

I can't even describe how excited I am about this novel. It's fresh, it's brilliant, it's so mind-blowingly clever I think I could explode. But it's so obvious! I can't believe that it hasn't been done before, because it's just looking at events from a different perspective... It shouldn't have taken this long for someone to write a book like this. It plays with the stereotypes in such a wonderful way, and it's so tongue-in-cheek, mocking the YA genre as a whole (particularly the fads that had come and gone over the past few years):
'In my lifetime, we're had 1) the undead, 2) those soul-eating ghosts, 3) the vampire cycle of romance and death, and 4) whatever might be happening now with the body of Finn and the terrified deer, if they're even connected (they're probably connected).'
"This is worse than when they were all dying beautifully of cancer." 
The thing is, as well as being an ingenious concept, Mikey's story is absorbing and interesting too - it's just made more captivating because of the juxtaposition between his regular every day struggles (the girl he likes has feelings for the new guy, his father's an alcoholic and his mother's a workaholic) and the earth-shattering events that are being experiencing by the group of indie kids who are very rapidly meeting their demise.
Mikey's sister, Mel, suffers from an eating disorder. Jared, his best friend, is the God of cats (it's a LONG story) and he's gay. Nathan, the new guy, has moved more times than he can count in the last year because of the death of his sister.
And then there's Mikey, who is struggling with his anxiety and OCD tendencies: he's constantly counting and tapping, washing and re-washing his hands because he just doesn't believe he can get it right. He gets stuck in loops that only his friends can break him out of - this means the idea of going away to college is even more terrifying, because he worries that he'll get so stuck in loops that the only way out will be suicide.
The thing I really like about Patrick Ness is that he deals with each of these things. He manages to make you feel the sense of displacement that Nathan's struggling with, so it's impossible for you not to accept him and embrace him into the group. Jared's predicament as God of cats is hilarious - his grandmother was the God of cats and she decided to sleep with a human, so it's just something that he's accidentally inherited: he's a Chosen One, but through no fault of his own.
But best of all, he tackles Mel and Mikey's issues, not letting them fly under the radar as quirky personality traits of damage young people. Mel's eating was a lot worse a few years ago, when her heart stopped beating for a few minutes because of the strain on her body. This means that all of her friends are very careful and considerate when it comes to her eating, making sure not to over-react when she eats at a restaurant and purposefully not watching her because it makes her uncomfortable. In some of the YA I've read people with eating disorders are left to get on with it and deal with it on their own - I liked the fact that this group was more supportive and taking an active role in helping her.
The same can be said for Mikey. As I mentioned earlier, Jared is good at breaking him out of his loops and often pays close attention to him to ensure that he doesn't start doing any of his harmful behaviours. However, Mikey actually takes an active step in his recovery and speaks to his mother about attending therapy - he's not letting his anxiety control his life and he knows that he needs to do something about it, which is a very good thing for young people to read about.
The best part of the novel was undoubtedly chapter 16, the therapy session between Mikey and Dr. Luther, which was written in an utterly simplistic way - pure dialogue. There were no 'he said/she said' additions, just pure speech, and it makes Mikey a lot easier to relate to and it makes therapy seem a lot less terrifying than it does when authors carefully describe sterile rooms and scribbled notes.
There were two quotes that definitely stood out for me, and I genuinely believe if anyone is suffering from anxiety and reads 'The Rest of Us Just Live Here', they will feel a lot less alone in the world:
"I hate myself. I feel like an idiot saying it because, blah, blah, teen angst, boo hoo, but I do. I hate myself. Almost all the time. I try not to tell anyone because I don't want to burden them, but I feel like I'm falling farther and farther away from them. Like the well's getting deeper and I'm running out of energy to climb it and any minute now, any second, it's going to stop being worth even trying."
Then there was this wonderful response from Dr. Luther:
"Do you think a woman who gets ovarian cancer is morally responsible for it?"
"No."
"Do you think a child born with spina bifida or cerebral palsy is at fault for their condition?"
"No, but - "
"Then why in heaven's name are you responsible for your anxiety?" 
If you have anxiety, please read this book. If you know someone who suffers from anxiety, please recommend it to them, I think it might help!
If you're looking for a wonderful, heartfelt and inspirational YA story that shuns stereotypes and has a representative range of different types of teenage characters, look no further. I cannot stress this enough: this book is brilliant.

NEW MUSIC MONDAY: The LaFontaines

(l-r: Jamie Keenan - drums, Kerr Okan - vocals, John Gerard - vocals/bass, Iain Findley - guitar, Darren McCaughey - guitar/keyboard)

When you see a band live and the second song they played in their set is still stuck in your head a week later, you know you  have a problem. You also know that they have to be featured on New Music Monday, because they write brilliant songs.
That's exactly what's happened with The LaFontaines. I only saw them last Tuesday and 'Under the Storm' has been stuck in my head ever since (you can scroll down to listen to it!).

It might seem strange that I'm featuring a band who formed six years ago, but because their debut album 'Class' has been out for less than a year, they still qualify in my eyes.
The LaFontaines have certainly made a name for themselves on the touring circuit over the years - they've supported bands such as Twin Atlantic, 3OH!3, All Time Low and The Blackout, as well as artists including Professor Green, Tinchy Stryder and N-Dubz.
That alone proves that they have a universal appeal, and with their thick Scottish accents and the rap sound they lean towards, unique is the best word to describe them. If you can find me another band like them, I'll be extremely surprised.
After performing at T in the Park in 2011 they gained a lot of positive attention, leading to them being signed to LAB Records (where they were label mates with Fort Hope, Blitz Kids and William Beckett) in 2013. They released two EPs with LAB (2013's 'All She Knows' and 2014's 'Under the Storm'), but they parted ways with the label and created their own - 889 Records - to release 'Class'. It charted at #10 in the Scottish album charts and #98 in the UK album charts - an impressive feat for a first release, and one that their relentless touring schedule definitely helped them achieve.

If you love Sam McTrusty's voice but wish he rapped a bit more, The LaFontaines will be the perfect band for you.

Listen to 'Under the Storm' here to get it stuck in your head too:


I hope you enjoyed this New Music Monday - see you again next week!
If you have a band and you'd like to be featured next week, you can contact me on Twitter or through my contact page.

Sunday, 15 May 2016

Recreations. - The Vic Swindon, 13/05/16

It's been a little under sixth months since Sam Duckworth last came to Swindon, so when it was announced that he was already returning for a headline show as Recreations., I jumped at the chance to get tickets.

Opening the show was Rob Lynch, who I'd seen once before (supporting All Time Low in Kingston). I was a couple of minutes late, so I'm not sure how many songs he played before 'Selfish Bones', but I arrived to the news that his second record is coming out in late July - certainly an exciting revelation!
I heard two brand new songs in the evening: the aforementioned 'Selfish Bones' ("a song about how I'm a selfish piece of shit and how I'm trying to get more interested in other people") and an untitled new song (which I'm referring to as 'Not Worlds Apart' based on the chorus) which Rob called a love song to the one mate he's stayed in touch with from school; the friend who got expelled after finding a prefect's nude photos online, printing them out and distributing them around the student body. Out of the two, I definitely preferred the latter: it's still stuck in my head today, and I can't wait for it to be released so that I can listen to it on repeat until I explode.
I'd actually forgotten how brilliant Rob was until I saw him again. I listened to his debut, 'All These Nights In Bars Will Somehow Save My Soul', so much just after I purchased it, but I haven't listened to it for a while - I have no idea why, because the songs are all ace. I particularly still enjoy 'Hawking', with its catchy "oh, no, it's not the end of the world" singalong. In the attempt to get the crowd involved Rob said he was bringing the "super Friday vibes", before joking about the fact that he really liked spending time in Swindon because he was catcalled for the first ever time earlier in the evening - "turned 30 last week - still got it!".
If you haven't given Rob a listen yet, I'm definitely suggest starting with that debut, and starting fairly soon. I was talking to him after his set and he said that his new single should be released within the next two weeks, so that's something to look out for. He's also performing on the acoustic stage at Slam Dunk Festival: it looks like I'll be able to make that set, and I'm already looking forward to seeing Rob again. This was his first time ever playing Swindon, and he said he was hopeful to return when the new album's been released: fingers crossed!

Setlist:
-
Selfish Bones
Whiskey
Hawking
Not Worlds Apart
My Friends and I

I'd been expecting Rob to steal the show for me, but there was no question that Sean McGowan was my highlight of the evening. When 'Place Your Bets' started I was a little undecided: his thick Cockney accent and his blunt lyrics ("wind your neck in, your doin' my head in") just didn't appeal to me in the slightest.
However, then 'Patchwork' started. Calling it a song about his "patchy beard", I hadn't been expecting too much, and I could feel myself getting a little bit restless. However, it ended up being so much more than that: a bittersweet love story, telling the tale of a boy and a girl going back to his place after a night out, and him desperately hoping she wouldn't think less of him in the morning when she noticed his patchy beard. It wasn't the most complex song lyrically or musically, but the way that Sean chose to phrase the lines - splitting them in unique and interesting places that really captured the attention of everyone in the room - and his look of utter vulnerability up on the stage: it was goosebump-inducing. The room was deathly silent, but in a respectful and interested way; even the people at the bar who had been drinking throughout Rob's entire set were rapt, and you genuinely could have heard a pin drop in the room. I've never experienced anything like it.
The rest of the set didn't surpass that moment, but it was almost like I was under a trance: I couldn't take my eyes off Sean even for a second. New song 'Come Unstuck' (which usually features Sam Duckworth, but they hadn't rehearsed enough) was very catchy, and that - combined with his cover of 'Wild Mountain Thyme' - proved that he could sing beautifully (the rest of his set was more spoken than sung, but he really hit the high notes and held the notes out during those two songs).
I couldn't find the names of the last two songs that he performed, but I really enjoyed them both. The penultimate song was about Sean returning to the pub that he got barred from to clean their toilets ("I showed them, didn't I? You're laughing, but this is my fucking life!") and it was tongue-in-cheek, the perfect lad anthem for a night out, particularly when Sean used the word 'swell' in the song and took a moment to pause, laughing about the fact that he used it in a lyric.
The last song in his set was by far the most intriguing: it was a spoken word piece, completely acapella, as a way for Sean to reintroduce himself ("I'm 23 years old and I'm normally pissed up") to wrap up his set and bid the crowd farewell. I've never seen a closer like it: it was entirely stripped back and unaccompanied, which made it one of the ballsiest moves I've seen in a very long time.
Sean McGowan is one of the most exciting acoustic acts I've heard in a very long time. The last time I found myself this pumped about an artist was when I discovered Heartwork (and we all know that my love affair with Dan O'Dell will continue eternally). I bought Sean's CD at the show, and I can't wait to listen to it on repeat over the coming weeks.

Setlist:
Place Your Bets
Patchwork
Come Unstuck
Wild Mountain Thyme cover
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I had to miss the end of Recreations. set, because I live a little way outside of Swindon and our bus timetables are not the best. I left at 11pm, 45 minutes after Sam started his set, and he'd already managed to squeeze in nine songs: he doesn't mess around, and you can tell he's been touring extensively for a large period of his life because of how smoothly everything runs.
This tour is to support 'Baby Boomers 2', the first full-length Recreations. release that came out at the end of last month. I didn't realise it had already been released, so when I arrived at the venue and saw it for sale I had to buy it. Luckily the majority of the set was songs I was already familiar with - whether because he performed them when I saw him in December, or because they were reworked versions of Get Cape. Wear Cape. Fly songs.
The thing about Recreations. is that it's very solidly grounded in dance music. Compared to the toned down, relaxing guitar sets of both Rob and Sean, Sam's funky beats got the crowd moving a bit more, and I loved the way he'd updated some of his older songs to fit into the new style.
Similarly to last time, the singalong to 'Red Spex' was the most crowd involved of the evening, with the chant of "with your red spex on, all the red flags just look like flags" being easily carried by a large portion of the crowd.
Because I didn't get to see the full set, I can't comment on what happened in the rest of the evening, but I really enjoyed the songs that I managed to see. I will admit that some of the dance sections were a bit too long (particularly the intro to 'Pipe Down', which seemed endless) but that's just down to personal preference - I much prefer singalongs to dance-centric tracks. However, I thought the breaks between the songs were very cleverly done: Sam had recorded sections from news broadcasts to fill the breaks, something that worked particularly well in the build up to 'Built To Last', a song in support of the junior doctor's strike.
Compared to last time I saw him, Sam was much less interactive with the crowd, but he was fitting so much into his set that he didn't really have enough time to stop and talk. He did speak for a little bit before he jumped into 'Out To Lunch' - it might be something that happened towards the end of his set. Hopefully I'll be able to see Sam performing as Recreations. again in the future.

Setlist:
Pipe Down
War of the Worlds
Lifestyle Concept Store
Zones Nine and Ten
Red Spex
In Two Minds
Built To Last
Chronicles of a Bohemian Teenager (Part One)
Out To Lunch
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Just before I go, I need to give a huge shout out to Kieran from Sheer Music: he had to sell and check tickets AND man the sound desk all evening, which is a huge accomplishment. If I had that many responsibilities...